The artist statement that goes along with my Journeys work begins with the line: “Everything is always in flux, constantly shifting.” That seems particularly apt right now, though maybe less so the next couple of years. For the last seven years I’ve been working as a freelancer, scrambling after jobs and seeking exhibition opportunities for my personal work. Over the past seven months I’ve been working in a long term temp capacity for a single client shooting tabletop. Though it was not what I’d imagined doing with my photography skills, it has been a decent paycheck. At the turn of the new year I asked for a bump in my hourly rate–we’re not Vogue here, no day rates. As a concession for the bump in hourly wage, I was asked to commit to a full time schedule. Starting next week I’ll be a full time employee of NES. Forty hours. Healthcare. Taxes paid. TransitCheck. This is going to put a whole lot more normal into my life. It is also going to put my bank statements in better standing with my girlfriend. I should be thrilled, but I’m non-plussed.
This is going to be a shift for me.
The full time thing is flexible enough that I can continue to take the odd freelance job once in a while, especially for past clients. However, I’m not going to be looking for freelance work, obviously. Hopefully I can scale back my self-promotion without entirely disappearing. When this job ends, and it will eventually end either by taking me somewhere better or by taking me nowhere, I’d like to be on the radar of book designers, ad agencies, magazines and design companies.
I’ll still look for exhibition opportunities, and the energy that once went to seeking gigs will go towards these endeavors. This is going to mean a shift in how I present my photography. The website redesign that I’ve been working on is no longer appropriate. The underlying point of this blog remains, but the tone of it will need to shift. It will probably remain a series of semi-frequent postings of works in progress, announcements and off-hand snapshots with the occasional book or exhibition review. A lot is going to change, and I’m not entirely sure how I’m going to approach things given this new stability.
On that note, I’m planning a series of reviews over the next couple of weeks of several of the Korean photography books I bought back in November (yes, finally). It has taken me a while to spend enough time with the books to have something to say. Of the many books I bought, I’ll be writing about only a few. First up will be Seung Woo Back’s Utopia / Blow Up.